两位导演将悬疑与犯罪元素巧妙交织，在悬疑类型中大胆融入社会议题，以热点事件为镜，让影片成为映照现实的载体。

张钧甯饰演的高知女性与儿子则松弛很多，面对镜头轻松微笑不急不躁

另外一处成心思的片断，是在早晨的纽约，开宝贵跑车逾越哈德逊河回公司的路上，一个华尔街老兵教育新人的话："If you really want to do this with your life you have to believe that youre necessary. And you are. People want to live like this in their cars and their big fucking houses that they cant even pay for? Then youre necessary. The only reason they all get to continue living like kings is because weve got our fingers on the scales in their favor. I take my hand off and the whole world gets really fucking fair really fucking quickly and nobody actually wants that. They say they do but they dont. They want what we have to give them, but they also want to play innocent and pretend they have no idea where it came from. Thats more hypocrisy than Im willing to swallow. Fuck them. Fuck normal people."短短几句话，绝不传教，刹时让这部片子和inside job之流的文艺青年说教片高低立现。

不过，主创也有可能集体;穿越，目前还无法断定究竟主要内容是什么

其次，在这个啃老族横行，崇尚充分利用父辈人脉与社会资源的时代，依然传承着一种根深蒂固的独立观...